10 Tips for Drummers with Repetitive Injuries

David O with NewGrip Wrist Supports

Playing drums is a physical challenge. The longer you play the greater the probability of developing a repetitive-strain related condition (RSI) or carpel tunnel syndrome (CTS) symptoms. These types of injuries are also called “overuse injuries” because they are the result of repetitive use and stress to the soft tissues of the body without allowing proper time for recovery. Sometimes an acute injury (injury related to a single event) can lead to a RSI condition. These conditions are really stressful because they linger on and can wreck havoc on us mentally. Since I’ve been dealing with these conditions for the past decade, I’d like to share some insights on what I’ve learned over the years.

1. Rest and Ice Your Body
RICE is an acronym for Rest, Ice, Compression, and Elevation. It’s the go-to first aid treatment for acute-soft tissue injuries. However, for overuse injuries rest and ice can help the most. If you’re on tour, work towards keeping your days as restful as possible. Engage in low impact activities such as swimming, walking, and stretching. After the performance, ice the overused areas of the body such as the hands, wrists, and shoulders.

2. Play with Good Drumming Technique
If you haven’t yet studied the Moeller method, now would be a good time to get into it. Although the Moeller technique won’t cure an overuse issue on the spot, it’s great for preventing these types of injuries, as well as your overall playing. I recommend Jim Chapin’s DVD entitled Jim Chapin: Speed, Power, Control, Endurance. I also recommend switching to a thicker stick which can make it easier to play utilizing a looser and wider grip. 5As would be the thinnest stick I recommend if you’re playing any heavy style of music.

3. Coordinate Your Body Movement
I started taking Alexander Technique lessons in 2008. It’s great for any musician but I think it’s especially helpful for drummers. Basically, this movement technique helps you become truly aware of your whole body and can reduce your tension areas. The bulk of the work involves reeducating your body to move and perform activities with coordination and ease. The Alexander Technique also incorporates exercises that help release tension while you are sitting, standing, or lying on the floor.  You can practice this technique along with the Moeller exercises a well as incorporate it into just about everything you do. Private lessons with a certified teacher are the best way to get started; however, group classes can be more affordable and are popular for beginners.

4. Practice Yoga
I started practicing yoga shortly after I was diagnosed with CTS. After two months, the tingling and numbness in my hands disappeared. If you haven’t done yoga, I recommend finding a beginner level Iyengar class. Iyengar is a form of Hatha yoga that focuses on structural alignment along with the breath. If an Iyengar class isn’t accessible than find a traditional Hatha class that focuses on self-awareness (opposed to physical fitness.) If you go to a class while having a CTS flare up, it’s best to modify some of the poses. Make sure to tell the instructor before the class starts what you are dealing with.  Check out this yoga journal article about healing CTS.

5. Get Adequate Sleep
Many of us don’t get enough sleep. Unfortunately, lack of sleep is one of the major causes for repetitive injuries. Sleep helps the body repair tissues and rejuvenates the nervous system. Get to know your body and how much sleep it needs for you to have a full tank of gas before you start your day. The quality of your sleep is just as important. I’d rather get six hours of uninterrupted sleep than nine hours of turbulence. I found that good quality sleep is vital to managing any stress related condition.

6. Build Muscular Support
Once you’ve allowed yourself enough rest and low impact activities, it’s time to bring on the weights. It’s important to build some muscle mass surrounding the chronically injured area. This helps circulation in the weakened area. The stronger muscles thus help support the whole area. However, it’s a balance and the trick is not to overdo it. Ease into it. Start with light weights, high reps, and focus on your form and movement.

7. Stretch Before You Play
It’s common sense to always stretch before doing any strenuous activities. However, sometimes we forget–once we see drums our primal instincts take over and we are too excited to do anything except make noise. The good news is we don’t have to stretch immediately before playing to gain the benefits. I like to stretch at least an hour before a gig and then focus on keeping loose and warm right up to show time. I do a combination of yoga and hand stretches–getting into the stretch details would entail a separate post. For now, check out this samba drummer’s stretches if you need a few ideas: http://www.puppetista.org/drums/stretch.html

8. Integrate Supplements
There are many supplements that can help with CTS and RSI. I’ve researched and tried many supplements that are reported to help with either inflammation, neuropathy or both. Here’s what I’m currently taking:

There is a ton of information regarding all these supplements and their potential benefits and side effects. You can also find research papers from the NCBI regarding most of these supplements. In addition to your own research I recommend working with a professional doctor or healthcare professional that is familiar with integrative supplementation.

9. Eat Whole Foods That Can Reduce Inflammation and Avoid Nightshades
Since both CTS and RSI symptoms are caused by inflammation it makes sense to eat foods that can give you anti-inflammatory benefits (and stay away from foods that cause inflammation). Eating whole foods while avoiding anything processed is a great start. If you’re on tour, choose a supermarket over any type of fast food restaurant. If you have concerns about telling your band mates why you can’t eat at McDonald’s, (believe me I’ve been there) simply mention that you have severe food allergies and need full control over what you put into your body.

It’s taking me a while to change my diet but the results have certainly been worth it. I’ve slowly added more raw foods into my diet while removing dairy and most forms of gluten. I also like to add whole foods and herbs that are known to reduce inflammation. Avocado, ginger, basil, and willow bark have worked very well for me.

Dr. Linda Mundorff recommends reducing the consumption of alkaloid-containing fruits, vegetables, and spices (many in the nightshade family of plants) that may trigger inflammatory-related joint problems.

      • Tomatoes
      • White potatoes
      • Eggplant
      • Sweet and hot peppers
      • Pimentos
      • Paprika
      • Cayenne pepper

10. Be Patient 
Although I’m mentioning it last, it’s probably the most important tip in beating any lingering or repetitive injury. These type of injuries can be mentally draining because of the length of time they effect you. We get used to our bodies healing in a certain time frame. I was freaking out after about three months of dealing with my right shoulder tendonitis. I started doubting my technique as well as my body’s ability to heal. I decided to take a few weeks off from the gym but that just made the condition worse. When I returned to the gym I did low impact circuit training and that helped. That gave me confidence to continue working on my stick technique and to further my holistic studies and activities. I had to accept the condition, work through the discomfort, and not give in to the mental negativity that arises.

10 Tips for Performing Live Music


Depending on your performance, a live gig can either be bliss or torture. Some nights we are just “in the zone” and other times nothing seems to go right.  As musicians, we know there are lots of external variables that can lead you in either direction–quality of sound system, being able to hear yourself, drunk sound engineer, etc. Although some of these variables might be out of our control, here are a few tips that can help keep us in the zone.

Before the Gig

1. Multiple full band rehearsals. In big cities, where rehearsal spaces are overpriced and empty beer cans are the main ambiance, it’s no wonder we try to skimp rehearsals. As a general rule for bands that play original material, I like to have no less than three full band rehearsals with the material and set list being established before the first rehearsal. If you’re working on new material I recommend you allocate separate rehearsal time for that. For a Changing Modes show, we usually allocate three or four rehearsals for new material and then another three or so with the set-list. If you’re a singer-songwriter working with hired pros the rule of three might be challenging but well worth the effort. Try to book the rehearsals as close to the gig as possible.

2. Allocate time to focus/meditate the day of the gig. If you’re not on tour and are playing at home be prepared to have many distractions–family, pets, girlfriends, boyfriends, internet, video games, etc.. It’s important to relax well before the show. Shut down the phone, turn off the computer and relax. Visualize the performance and the challenge that lies ahead.

3. Always ask for a sound check. Some venues will offer them and others won’t. Sound checks are mandatory in most upscale venues and if you are playing one you should prepare a stage plot. However, if you’re playing dives sound checks might be harder to come by. As another rule of thumb, no matter what level the venue is, always ask for a sound check. If they won’t agree to it request a line check (checking output on all cables). Some venues will only sound check the first band, while other venues ask for money. Since every stage (or dive bar) sounds different, acclimating before the show is vital and is worth the investment.

During the Gig

4. Making sure it sounds good on stage (more vocals in the monitors please.) Your band will sound different during performance time than it did during sound check. It’s good practice to make sure everyone is comfortable after playing the first song. Spending the time to tweak the stage sound after the first song is a necessary evil.

5. Making sure it sounds good in the audience. Too many times bands sound amazing on stage but the audience hears something very different. This is why pro bands tour with their own sound engineer (and some with their own sound systems). Until you get to that level, allocate someone to actively listen in the audience and give them authority to manage the sound engineer. Choosing this someone might be a little challenging since they should know your sound and have good ears. A musician friend or someone that has a vested interest in your music are both good choices.

6. Engage the Audience. With the exception of Shoegazers, engaging the audience should be considered part of your performance. Guitar players that are fronting the band should practice tuning and speaking to the audience simultaneously. If you are not quick on your feet, then you might want to think about speaking content beforehand. If you are playing a local show, try to engage the entire audience, rather than just your friends.

7. Go with the Flow. Live performances are never perfect. You never know if someone will break a string, forget lyrics, or count off the wrong song. Your job as an entertainer is to just go with the flow. Don’t react negatively to anything that could throw you off. It’s better to react as if you were expecting it. Think of these flubs as opportunities to connect with the audience.

8. Tell people who you are. There will always be people in the audience that don’t know anything about the band. Share some info with the audience. You can break the glass by sharing a personal story that involves the band members.

After the Gig

9. Work the room. NOW’s the time to mingle with the audience and try to get as many people to sign up on the mailing list. It’s a great opportunity for you to network, get feedback, and get fans.

10. Tip the Sound guy. Depending on the venue it might be a good idea to tip the engineer. Some venues  allocate money from the door for this purpose, so make sure you ask first. If the engineer exceeded your expectations than you can still give him/her something. Five or ten bucks is still better than nothing and they will remember you for it.


Changing Modes CD Release Show at Arlene’s Grocery 4/13/2012

Changing Modes CD release show “In Flight”- Arlene’s Grocery Friday April 13th 8:30p
I’m very excited about this special CD release show! I’ve been working with Changing Modes since 2004 and this will be the band’s fifth full length album and the third album I’ve co-produced with my mates.

Arlenes Grocery
95 Stanton Street
New York, NY
Cover: $10

Here’s a short video of Cell to Cell from the last show we did at Arlene’s Grocery, NYC.

Reason 3.0 Tutorials

If your looking to learn Reason basics you might like to check out my beginner lessons on Youtube. Reason is a great music software program that emulates a “real” rack of electronic music devices. The first lesson covers the basic Reason 3.0 interface, adding devices to the rack, and customizing Redrum track connections. Lesson 2 covers basic beat programming and lesson 3 covers adding a keyboard bass and putting it all together.