Download Moving Moeller Triplet Accents
Just a short Moeller exercise based off the Moeller triplet (Down, Up, Tap) that will help with moving the accents to each note of the triplet. Pay close attention to the Moeller strokes listed above the notes and watch the video demonstration above!
Download Lesson 25 with Moeller PDF
You can apply the Moeller technique to most of the 40 essential drum rudiments. However, there are some rudiments that lend themselves very well to a natural Moeller movement, and can be played moeller-esque without even thinking about the technique. Lesson 25 is one of those rudiments.
In the above video I’m playing the Lesson 25 rudiment as notated with the Moeller strokes below, but at the same time I’m playing what is natural for my body movements.
Download Moeller Traditional Exercise 2 PDF
I’m exaggerating the upstrokes using a forearm rotation and then stoping at the top (so the stick tip faces up.) I’m exaggerating the movements to make it easy to see the forearm rotation.
I’ve noticed that if you utilize forearm rotation on the upstroke it makes it natural to unwind the forearm rotation to produce the downstroke.
I originally learned Moeller playing matched grip and without forearm rotation. After playing professionally for a few years I developed tendonitis in my right shoulder due to overusing muscles in arms and shoulders while playing at high volumes.
I revisited my technique and developed the Moeller with forearm rotation as well as focusing on just the wrists and forearms to create the whip. My wrists and forearms got stronger and I was able to produce the same high volume sounds without the stress in my shoulder joints. This helped alleviate my discomfort.
I now play the Moeller with and without forearm rotation. I like to utilize forearm rotation to produce loud volume snare and tom hits. However, when I’m playing at lower volumes I just use mainly the wrists and fingers without the forearm rotation.
If your experiencing any overuse issues it might be useful to develop your Moeller with forearm rotation. However, more importantly is to play relaxed without holding any tension in your neck and shoulders.
Download Moeller Traditional Ex1 PDF
In the above video I’m demonstrating the moeller exercise as written in the PDF using matched grip. I like to call this traditional Moeller because of the utilization of the pinky and ring finger grip (Sanford Moeller’s preferred grip) as well as the forearm rotation.
In Sanford Moeller’s book “The Moeller Book” he describes just three strokes–down stroke, up stroke, and the single stroke–which we now call taps. Notice in the video at the very slow tempo the down strokes and up strokes are almost identical movements. Both are similar wavelike movements. Actually, the only difference between the two is the stick makes contact with the head during the up stroke; the downstroke gets close to the head but does not make contact.
Forearm rotation was a key element in the snare drum technique that Jim Chapin and Sanford Moeller taught. I initially learned Moeller in matched grip but without the forearm rotation. Around a decade later, when I studied with Jim Chapin I realized what I was doing wasn’t actually what Sanford Moeller taught. My wrists, arms and especially shoulders were all working harder than they had to. I realized that whipping a downstroke using forearm rotation reduced my shoulder joint stress (I’ll expand more on that in a future video post).
In the video the forearm rotation is easy to see at the slow tempo. It’s still there at the faster tempo but it’s a smaller movement-like flicking water off your fingers.
If your a drummer that’s experiencing muscle overuse issues or curious about incorporating this forearm rotation into your technique feel free to download the PDF above to get started.