I’m excited to be playing at College of Desert’s Pollack Theatre this Friday November 7th to play with my band Outside Pedestrian as we celebrate the release of “Reclaimed.”
I’ll be playing with Outside Pedestrian Guitarist and composer, Dr. Anthony Fesmire, who is an Associate Professor of Music at College of the Desert and Los Angeles based bassist and composer, David Lockeretz. The band be also be joined on stage by saxophonist and director of the jazz ensembles at COD, Dr. Kelly Corbin, and pianist, Dan Waddell, a member of the adjunct faculty at College of the Desert.
The event is open to the public and admission is free with a $5 suggested donation.
If you play music professionally there are times where you are expected to play on your instrument for hours. Whether you are playing at a wedding gig, a casual, on a cruise ship, a full day rehearsal, they all take a toll on your body. The physical demands of the drums makes these gigs even more challenging for drummers.
One of the tools I like to use to combat that wear and tear is the Alexander Technique (AT). The Alexander Technique is a movement technique that teaches people how to efficiently use their bodies by inhibiting unnecessary muscular tension. Sounds pretty easy right? In fact, quite the opposite when you consider that excessive muscular tension in most people is the result of years of inefficient movement and posture habits. Breaking those habits and forming new habits can take a tremendous amount of mental discipline and time.
I started AT lessons in my late twenties mainly due to upper back and shoulder arthritis. My first teacher pointed out that I was holding tension in my face and especially my jaw. She went on to give me some techniques to inhibit the tension in those areas as well as to calm my entire nervous system. One of those techniques is called “active rest” or “constructive rest” which you can find out more at http://alexandertechnique.com/constructiverest.
Active rest is also beneficial before and/or after a strenuous activity (like a gig) and you only need around ten minutes or so to get the benefits. It’s a low maintenance tool for sure and doing it everyday will increase it’s benefit.
Delving deeper into the art of the Alexander Technique requires working with a certified teacher individually or within a group. Although many people notice diminished pain immediately after their first lesson, it usually takes around ten lessons for your average person to become aware of all their body movement habits and to start inhibiting some of them. If you are serious about getting started I recommend finding a certified teacher. I used this directory http://www.alexandertechnique.com/teacher to find my teacher in Orange County – Doug Shenefield
One of the drum set playing challenges Doug immediately noticed is that since drummers are operating the foot pedals, we can’t properly ground our feet. Another challenge is being able to move to and from different parts of the drum set without stiffening up or delivering unnecessary stress to certain muscle groups. Doug noticed that I wasn’t pivoting when I moved my right arm from the ride cymbal across my body to the hi-hat, which resulted in unwarranted stress on my right shoulder. To help keep freedom in the body, pivoting towards the particular drum or cymbal you are playing is important–seems obvious but sometimes we forget what’s natural for our bodies when focused on our instrument.
Traditional grip was also seen as a unique drumming movement challenge. When I played with traditional grip, Doug noticed I was leaning my upper body slightly toward the left and putting more weight on my left sitz (sitting) bone. This is pretty common for drummers that play traditional grip. What I learned from Doug is that this leaning posture is not needed at all times to play traditionally.
Doug was really digging the Moeller technique movements! Although Doug knew nothing about drum technique, he was able to keen in on some of those movements. He described them as “sinuous” which I think is a great adjective to describe how the Moeller Technique should look and feel. Once Doug pointed that out I seemed to loosen up more and have a bit more fun! The video above captures that well!
If you’re suffering from body pain, or just run down from the wear and tear of playing music professionally, then the Alexander technique should be a good investment for you.
If you are looking for ways to change up the paradiddle accents then check out this video. It implies you have a good understanding of how to play the paradiddle with the Moeller technique. If you need a refresher, you can check out the Paradiddle speed builder lesson.
Buy Lesson PDF .99 cents!
I wrote a few Moeller Paradiddle exercises for one of my students but you guys might like it too so check out the content above. Basically it’s breaking down the Moeller paradiddle into two builder exercises.
The first builder is just the Moeller paradiddle without the last diddle. The objective here is to focus on this alternating down up tap or what some people call the wave.
The second builder which is just the first five beats of a paradiddle-so we’re focusing on building one side of the diddles at a time. The objective here is to pay equal attention to each side of the diddles.
In the lesson PDF the strokes are notated as either Down, Up, or Tap. Also, there are some suggestions for exercises that combine both builders and the complete paradiddle.
These exercise builders can help build fast and clean paradiddles while utilizing the Moeller technique. Now go and practice and have fun with it!